Despite its basic belonging to the Byzantine world, Serbian medieval art does not present a unitary development, due to the diversity of the cultures of origin and the continuous and varied intertwining of the influences of the neighboring regions. The important late ancient (Singidunum, Naissus, Sirmium) and proto-Byzantine (Iustiniana Prima) settlements were destroyed by the Slavic invasions, and the first important monuments belong to the second half of the 12th…
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